Our Lady of Grace Church: A Masterpiece Under Threat
.jpg)
The neo-Romanesque façade of Our Lady of Grace Church (1905-1906)
Photo: Ricardalovesmonuments (CC BY-SA 4.0)
Our Lady of Grace Church faces closure by June 2026 unless urgent action is taken. Built between 1905 and 1906, this exceptional building represents one of the earliest reinforced concrete churches in England, employing the rare Neo-Romanesque style. The land beneath the church has witnessed over a millennium of English history, from its origins as a Saxon royal gift to its current role as a centre of Catholic worship threatened with closure.
Heritage Statement and Conservation Strategy: Professional Documentation
Dr Nikolaos Karydis and Dr Cassandra Harrington, specialists in ecclesiastical architecture at the University of Kent, have completed both a comprehensive heritage assessment and Conservation Plan for Our Lady of Grace Church. Their scholarly analysis confirms the exceptional architectural and historical significance of this pioneering reinforced concrete church within the context of British Catholic heritage.
▶ Watch Heritage Statement & Conservation Strategy Overview
This professional assessment forms part of the evidence submitted to Historic England for the church's listing application (Reference: 1494732). The documentation demonstrates that Our Lady of Grace Church represents one of the earliest reinforced concrete churches in England and a rare example of Neo-Romanesque ecclesiastical architecture. The Conservation Plan, with specialist structural assessment by Stuart Tappin, confirms the pioneering reinforced concrete system requires urgent conservation intervention.
Further videos are available on our YouTube channel, including a version recorded in French by Dr Karydis for the francophone community, reflecting the church's Assumptionist heritage and continued international significance.
Our Lady of Grace Church: A Masterpiece of Neo-Romanesque Architecture
At the heart of our parish stands Our Lady of Grace Church, built between 1905 and 1906. The church is one of the earliest reinforced concrete churches in England, built in the rare Neo-Romanesque style – an unusual choice for Catholic churches in England during this period. Unlike the Gothic Revival style prevalent at the time, this building embraces Continental Romanesque traditions, reflecting both architectural innovation and the French origins of the Assumptionist community who commissioned it.
Eugène Gervais: Pioneering Architect
The church was designed by Eugène Gervais (1852-1943), a French architect known for his early adoption of reinforced concrete construction techniques. As confirmed by Dr Karydis's heritage assessment, Gervais created one of the earliest reinforced concrete churches in England. The specific reinforced concrete system employed awaits formal confirmation through specialist structural analysis currently being undertaken.
Based in Bordeaux whilst holding the prestigious title "Architecte du département de la Gironde", Gervais managed this London project entirely through correspondence—a remarkable achievement demonstrating his international professional standing. His selection of the Neo-Romanesque style, unusual for Catholic churches in Edwardian England, reflects both architectural sophistication and the Continental heritage of the Assumptionist community.

Villa 'Kosiki' designed by Eugène Gervais in Royan, France (1885-1887)
A Japanese pagoda-style residence that predated mainstream European adoption of Japonisme
Source: c-royan.com
The church's structural innovation, combined with its stylistic distinction, establishes it as Gervais's most significant documented work and a building of potential national importance within the development of reinforced concrete architecture in Britain. The current listing application to Historic England recognises these exceptional qualities.
Architectural Significance
The church's design demonstrates sophisticated understanding of Romanesque principles whilst incorporating modern construction techniques of the early 20th century. Key architectural features include:
- Rounded arches throughout - The characteristic Romanesque round arch appears in windows, doorways, and the internal arcade
- Barrel vaulting - Creating the sense of solidity and permanence associated with ancient churches
- A unique triforium - Decorated with symbols from the Litany of Loreto, demonstrating theological sophistication in architectural form
- Rose window - A magnificent focal point above the main entrance
Between 1925 and 1927, Fr Gregory Chedal, A.A., enhanced the interior with exquisite hand-carved woodwork, adding another layer of artistic significance to this already remarkable building. The church suffered bomb damage in 1940 and narrowly escaped destruction from V1 and V2 rockets in 1944, making its survival and continued use all the more precious.
Scholarly Recognition
Recent heritage assessment by Dr Nikolaos Karydis confirms Our Lady of Grace Church as architecturally exceptional within the context of early twentieth-century Catholic architecture in Britain. The church's neo-Romanesque design, combined with its pioneering use of reinforced concrete construction, represents a significant achievement in ecclesiastical architecture.
The heritage statement identifies the church as potentially eligible for statutory listing, recognising its architectural innovation, intact historic fabric, and the quality of its liturgical furnishings, particularly Fr Gregory Chedal's hand-carved woodwork. The formal listing application is currently under assessment by Historic England.
Timeline of Key Events
The Ancient Foundations
Our story begins in the Anglo-Saxon period. In 918 CE, Princess Ælfthryth made a gift of this land to the Abbey of Ghent in Belgium. This early religious connection established a pattern of ecclesiastical ownership that would endure for over six centuries. The name "coombe" in Eastcombe derives from the Old English "cumb," meaning a valley or hollow, perfectly describing the natural landscape that characterises this area between Greenwich and Charlton.
For over 600 years, the land remained in religious hands as farmland, until Henry VIII's reformation transformed English religious life. In 1537, as part of the Dissolution of the Monasteries, the King seized the property and annexed it to the Manor of Old Court, ending centuries of monastic ownership.
The Great Estate Era

The Eastcombe Estate in 1893, showing the three grand houses that once graced this area
Source: National Library of Scotland
The transformation from farmland to prestigious estate began in 1710 when Captain William Saunderson built the first mansion on Charlton Road. Saunderson was no ordinary naval officer – he commanded HM Yacht William and Mary, which transported King William III and Queen Mary II to Holland. His house, known as "Clockhouse" and later "East Combe," established this area as a desirable location for the wealthy and influential.
The Three Houses of Eastcombe

Eastcombe House (Clockhouse), c.1780, the original mansion of the Eastcombe Estate built in 1710
Image: John Charnock, courtesy Royal Museums Greenwich (CC BY-NC-ND)
By the early 19th century, the Eastcombe estate had evolved to include three magnificent residences. The broader area between Greenwich and Charlton, including the Nethercombe, Westcombe and Eastcombe estates, once featured numerous grand houses. Today, only two buildings survive from all these estates: Highcombe House from Eastcombe and Woodlands House from the Nethercombe estate. This exceptional rarity makes the preservation of Highcombe House crucial for understanding the area's historic development and social history.
The Three Houses Shown on the 1893 Map
Eastcombe House - The second mansion built c.1810, demolished 1904
Highcombe House - Built c.1825, surviving today as presbytery (Heritage at Risk 2025)
Littlecombe - Home to Lady Charlotte Wilson (1876-1895), incorporated into Our Lady of Grace School in 1937. Lady Charlotte (née Wade), widow of Sir John Maryon Wilson, 9th Baronet of Charlton House, maintained a household of nine servants in this smaller residence.

Eastcombe House 2, the elegant Georgian villa built by David Hunter around 1810
Engraved by H. Adlard after George Shepherd, 1829
This second Eastcombe House, demolished in 1904, once stood approximately where Sherington School is today. Its most distinguished resident was Eleanor Agnes, Dowager Countess of Buckinghamshire (1816-1851), whose presence attracted other members of the landed gentry to Charlton.
Distinguished Residents: A Succession of Notable Figures
From 1710 to 1903, the Eastcombe estate properties housed a remarkable succession of naval officers, baronets, engineers, aristocrats, and inventors. Each generation left its mark on the buildings and grounds, creating layers of history that enrich our understanding of Georgian and Victorian society.
Key Estate Residents Through the Centuries
- 1710-1780: The Saunderson/Sanderson baronets at Clockhouse
- 1780-1814: Lord Lyon Campbell and Sir William Congreve, 1st Bt (leaseholders)
- c.1800-1828: Sir William Congreve, 2nd Bt at Highcombe (leaseholder)
- 1816-1851: Eleanor Agnes, Countess of Buckinghamshire at Eastcombe 2
- 1851-1862: General Sir George Whitmore at Highcombe (leaseholder)
- 1865-1902: William Henry Barlow at Highcombe (leaseholder)
- 1876-1895: Lady Charlotte Wilson at Littlecombe
- 1903-1972: The Assumptionist religious community (owners)
The Congreve Family Legacy
The Congreve family's connection to Charlton spans three generations, from Captain William Congreve (1741-1814) who first rented Eastcombe House (Clockhouse) in 1780, to his son Sir William, 2nd Baronet, who likely commissioned Highcombe House around 1825.
A remarkable series of family portraits, commissioned together in 1782 by Philip Reinagle, provides extraordinary insight into the Congreve family's life at Eastcombe. The National Gallery of Ireland worked for several years to acquire these important paintings, which demonstrate the Georgian practice of including paintings-within-paintings as a way of documenting family collections and lineage.

Portrait of Mrs Congreve with her Children by Philip Reinagle, 1782
Oil on canvas, National Gallery of Ireland. The setting is thought to be Eastcombe House (Clockhouse)
In the portrait of Mrs Congreve with her children, Reinagle included four paintings visible on the wall behind the family group. This was a sophisticated artistic device common in the period, allowing patrons to document their art collections and family connections within the primary portrait. The central painting depicts Captain William Congreve himself with his son William, also painted by Reinagle. Flanking this are portraits of Thomas Congreve (1714-1777) and his wife Anna Catherine (née Handasyde), both painted by Charles Phillips in 1739, representing the previous generation of the family. Above the mantelpiece, a fourth portrait depicts the earlier William Congreve (1670-1729), the celebrated Restoration playwright and distant relative, whose portrait is now in the National Portrait Gallery, London.
.jpg)
Thomas Congreve (1714-1777) by Charles Phillips, 1739
One of the paintings visible within the Reinagle portrait, showing Captain Congreve's father
.jpg)
Mrs Thomas Congreve (née Anna Catherine Handasyde) by Charles Phillips, 1739
An accomplished horsewoman, this portrait also appears within the Reinagle family group
Sir William Congreve, 2nd Baronet (c.1800-1828)
One of the first residents of Highcombe House, Sir William was in charge of the Royal Military Laboratories at Woolwich and a prolific inventor. His most notable creation, the Congreve rocket, made him the father of modern rocket technology and inspired the phrase "the rockets' red glare" in the American national anthem. He also invented decimal currency concepts and an efficient steam engine. King George IV is believed to have visited Highcombe House during Congreve's residence. He served as Member of Parliament for Plymouth before fleeing to France under financial difficulties, where he died.

Sir William Congreve, 2nd Baronet, by James Lonsdale, c.1812
Oil on canvas, National Portrait Gallery, London (NPG 982f)

Illustration from Congreve's treatise showing rockets fired from naval boats, 1827
The Congreve rocket system that inspired "the rockets' red glare"

Captain William Congreve with his son William, by Philip Reinagle, c.1782
The Captain leans against an eight-pounder cannon, reflecting his artillery expertise
General Sir George Whitmore (1851-1862)
As Commandant of the Royal Military Academy at Woolwich, Sir George brought military connections to Highcombe House. His residence here coincided with the period of British imperial expansion, and the house would have hosted members of the military establishment of Victorian England.
Sir William Henry Barlow (c.1865-1902)
A distinguished Victorian engineer, Barlow leased Highcombe House. He designed the roof of St Pancras Station, which was the largest single-span structure in the world at the time of its construction. He also engineered the second Tay Bridge after the collapse of the first, investigated the original Tay Bridge disaster, and contributed to the design of the Forth Rail Bridge and Brunel's Clifton Suspension Bridge. On 12th November 1902, aged 89, Barlow collapsed and died in the entrance hall of Highcombe House. Today, an English Heritage blue plaque commemorates his residence here. The ground floor office he used is now proposed to become a museum space celebrating the building's distinguished occupants.

William Henry Barlow by Hon. John Collier, c.1880
Oil on canvas, courtesy of the Institution of Civil Engineers
Return to Sacred Purpose: The Assumptionist Era (1903-1972)

Our Lady of Grace Church and Highcombe House from the air
© Fennec Media Ltd
In 1903, following William Barlow's death in the entrance hall the previous November, the Sisters of the Assumption, exiled from France by anti-clerical laws, purchased the property. The Oblates of the Assumption arrived at Highcombe on 18th July 1903, transforming the Regency villa into a religious house. Mass was first celebrated the next day on 19th July by Fr Benedict Caron, A.A., initially with just the sisters and five parishioners, though within weeks over 100 attended, demonstrating the need for a proper church.
The Founding Sisters: Myriam and Julie Franck

Mother Myriam Franck (left) with her sister Mother Julie of the Sacred Heart (right)
Julie served as Superior at Charlton (1903-1912)
Archives of the Augustinians of the Assumption, via La Croix
The Assumptionist foundation at Highcombe House in 1903 was led by two sisters: Myriam Franck (née Rosa Franck, later Mother Myriam) and Julie Franck (née Julie Franck, later Mother Julie of the Sacred Heart). Originally from Alsace-Moselle, Myriam and Julie had fled to France after the Prussian victory of 1870 and subsequently joined the Assumptionist order.
Myriam was an accomplished sculptor who created the bronze statue of Père Emmanuel d'Alzon, founder of the Augustinians of the Assumption, which stands in Nîmes, France. Myriam's artistic expertise likely influenced the original sculptural elements of Our Lady of Grace Church, including the statue of the Virgin and Child that stood above the altar until 1959. In 1886, Myriam wrote to Father François Picard challenging antisemitism in Édouard Drumont's book La France juive.
Julie served as Superior of the new foundation from 1903 to 1912. Julie established the parish school in 1905, initially housed in Highcombe House's conservatory, and oversaw the construction of Our Lady of Grace Church. The sisters contributed £1,000 towards the church's £5,000 construction cost.
The Assumptionist Years at Highcombe
- 1903-1912: Oblate Sisters establish convent and school in conservatory
- 1905: Parish school opens in conservatory of Highcombe House
- 1905-1906: Our Lady of Grace Church built by Eugène Gervais
- October 1912: Assumptionist Fathers move to Highcombe as presbytery
- 1922-1923: Parish Hall constructed
- 1928: School expands to stables of Highcombe House
- 1937: School expands to Littlecombe building
- 1956: Four acres sold for St Austin's School
- 1957: St Austin's Secondary Modern School for Boys opens
- 13 September 1960: Church consecrated by Archbishop Cowderoy
- 1972: Assumptionist Sisters leave for Bethnal Green
- 1989: Fr Michael Leach becomes first Diocesan parish priest
- 1991: St Austin's School closes
- April 2012: Spiritans (Holy Ghost Fathers) arrive with Fr Uche Njoku CSSp
For 60 years (1912-1972), Highcombe House served as the Assumptionist Fathers' residence and base for their pastoral work. Notable figures included Fr Gregory Chedal, A.A., who carved much of the church's distinctive woodwork between 1925-1927. The house's basement served as an air raid shelter during the First World War Zeppelin raids, and the church suffered bomb damage in 1940 and near misses from V1 and V2 rockets in 1944.
After the Assumptionist Sisters departed for their mother house in Bethnal Green in 1972, the Assumptionist Fathers continued until 1989, when Fr Michael Leach became the first Diocesan parish priest. In April 2012, the parish returned to the care of religious priests when the Spiritans (Holy Ghost Fathers), founded in Paris in 1703, took responsibility with Fr Uche Njoku CSSp as parish priest.
The Assumptionists' legacy extends far beyond our parish. Today, they continue their mission across the South of England, and our Trust's proposal recognises the importance of allowing them to focus their resources on their wider apostolic work whilst ensuring the church they built continues serving the Catholic community.
Educational Heritage
Our Lady of Grace School
The establishment of Our Lady of Grace School demonstrates the Assumptionist community's commitment to Catholic education. Beginning humbly in 1905 in the conservatory of Highcombe House, the school evolved through various phases:
- 1905: School opens in the conservatory of Highcombe House
- 1928: Expands to include the converted stables
- 1937: Incorporates Littlecombe, the former residence of Lady Charlotte Wilson
- 1939: Purpose-built school opens at the Littlecombe site
- 2017: School relocates to new modern facilities
For nearly a century, successive generations of local children have received their education here, creating multi-generational connections within the parish community. Many current parishioners attended the school, as did their parents and now their children, establishing patterns of continuous community involvement.
St Austin's School
In 1956, four acres of land behind Highcombe House were sold to the Diocese of Southwark for the construction of St Austin's Secondary Modern School for Boys. Opening in January 1957, the school operated for 34 years until its closure in 1991, when students were transferred to St Joseph's Academy in Lee. The site was subsequently redeveloped for housing, with only the sports field retained by the Diocese.
Related Heritage: Woodlands House
The Other Survivor
Alongside Highcombe House, Woodlands House stands as the only other surviving building from the historic estates between Greenwich and Charlton. Built in 1774 by John Julius Angerstein, whose art collection would later form the foundation of the National Gallery, this Grade II* listed Georgian mansion demonstrates the architectural quality that once characterised this area.

Woodlands House in the 1780s, drawn by John Charnock
The distinctive Ionic double-columns mark this as the Angerstein residence
From 1923 to 1967, Woodlands House served as a convent for the Sisters of the Assumption, creating a direct connection with Our Lady of Grace Parish. This shared religious heritage links the two surviving Georgian buildings in their service to the Catholic community of Charlton.

Woodlands House as it appeared in 1897
When owned by shipping magnate Sir Alfred Fernandez Yarrow
Preserving Our Church Heritage
Today, Our Lady of Grace Church faces an existential threat with notice to vacate by June 2026. This exceptional neo-Romanesque building, one of only two surviving structures from all the historic estates between Greenwich and Charlton (alongside Woodlands House), represents irreplaceable Catholic heritage.
The Our Lady of Grace Parish Buildings Preservation Trust was established in 2025 to save the church from closure. The Trust has proposed to accept the gift of the church building from the Assumptionists, commissioned a comprehensive Conservation Plan from the University of Kent, and submitted a formal listing application to Historic England (Reference: 1494732). The Trust works to preserve both the exceptional architectural heritage and the continuing religious function that has characterised the site since 1903.
What Makes Our Church Exceptional
Architectural Innovation: Our Lady of Grace Church represents one of the earliest reinforced concrete churches in England, employing the pioneering concrete system whilst exemplifying the rare Neo-Romanesque style in British ecclesiastical architecture.
Artistic Heritage: Fr Gregory Chedal's hand-carved woodwork (1925-1927) represents exceptional liturgical craftsmanship requiring conservation.
Historical Rarity: One of only two buildings surviving from the historic estates between Greenwich and Charlton, making it exceptionally rare in South London's architectural heritage.
Continuous Use: The church has maintained active Catholic worship since 1906, serving Our Lady of Grace Catholic Primary School and the wider parish community for nearly 120 years.
References and Further Reading
- • Heritage Statement Video: Dr Karydis and Dr Harrington Heritage & Conservation Strategy Overview - Combined presentation supporting church listing application
- • YouTube Channel: Our Lady of Grace Parish Buildings Preservation Trust - Additional videos including French version
- • Historic England: Presbytery to East of Church of Our Lady of Grace - Grade II listing details (Heritage at Risk 2025)
- • National Library of Scotland: Ordnance Survey Town Plan of London (1893-1895) - Historic maps showing the Eastcombe Estate
- • National Portrait Gallery: Portrait of Sir William Congreve, 2nd Baronet
- • National Gallery of Ireland: Portrait of Mrs Congreve with her Children - Showing interior of Eastcombe House
- • Royal Museums Greenwich: Charnock's Views of Charlton - 18th-century architectural drawings
- • Archdiocese of Southwark: Roman Catholic Archdiocese of Southwark
- • Our Lady of Grace School: Official School Website
Recommended Books and Reports
- • Karydis, Nikolaos and Harrington, Cassandra (2025). Our Lady of Grace, Charlton: Heritage Statement. Canterbury: University of Kent. [Submitted to Historic England, Application Reference: 1494732]
- • Karydis, Nikolaos and Harrington, Cassandra (2025). Conservation Plan for Our Lady of Grace Church and Highcombe House. Canterbury: University of Kent.
- • Smith, John G. (1970). History of Charlton. London: Greenwich Borough Council.
- • Cherry, Bridget and Pevsner, Nikolaus (1983). The Buildings of England: London 2: South. London: Penguin Books.
- • Weinreb, Ben and Hibbert, Christopher (eds.) (2008). The London Encyclopaedia. London: Macmillan.
- On Eugène Gervais and French Architecture:
- • Coustet, Robert and Marc Saboya (1999). Bordeaux, le temps de l'histoire, architecture et urbanisme au XIXe siècle 1800-1914. Bordeaux: Mollat.
- • Chasseboeuf, Frédéric (2013). Guide architectural, Royan 1900. Royan: Éditions patrimoniales.
- • Chasseboeuf, Frédéric (2005). Les villas de la côte de Beauté en Charente-Maritime. La Crèche: Geste Éditions.